I grew up as a fundamentalist Christian in the rural South of the United States. Gradually, I began to see the good and the bad in the church community and social community I loved as a child (and still love). My realizations led to tension in my heart, and that led to the creation of stories, both fiction and non-fiction. My list of five books is a kind of cornerstone (or touchstone?) of some of my present notions about our lives on earth before we each join the Majority.
I love this book because I am fascinated with Eudora Welty's early stories, especially Why I Live at the P.O. In the late 1970s, I had never seen or heard Eudora Welty, but I loved the stories in this book.
When I happened to see and hear Miss Welty read Why I Live at the P.O. on TV on May 14, 1978, I wrote in my journal, "Tomorrow I will start writing fiction," and I did. Welty showed me that adventure, in a funny and deep way, could include the types of relationships I had grown up with in my rural North Carolina home and neighborhood.
I had not, until then, clearly realized that those relationships could influence a dramatic aspect of fiction I might write.
This is the first collection of Welty’s stories, originally published in 1941. It includes such classics as “A Worn Path,” “Petrified Man,” “Why I Live at the P.O.,” and “Death of a Traveling Salesman.” The historic Introduction by Katherine Anne Porter brought Welty to the attention of the american reading public.
This book, about racism, among other matters, helped open my eyes to the humanity of all people and showed me, in particular, the ways that cruelty and racism exist in our cultures and subcultures. When I read this book, I was fresh out of five years in the Air Force (1971) and had just experienced the caste system of military life.
Prior to that, I'd lived, as a child and teenager, in a community in which racism and fundamentalist religion were taken for granted as givens of the universe. When I read this book, I realized the power of literature to open a person to meanings previously absent in their life.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
In 1964, the FBI found smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman were driving before they disappeared at the hands of the Ku Klux Klan. Shortly after, Julie Kabat’s beloved brother Luke arrived in Mississippi as a volunteer to assist Black civil rights…
I loved this novel in part because of three reasons: 1. A quote from the book: "Memory believes before knowledge remembers," 2. Faulkner's ability (in spite of a style many readers give up on) to put the reader in a particular complicated moral place as well in an emotional or psychological small piece of time. 3. Faukner's range from slap-stick to horror.
Once, a friend called me on the phone and said, "Clyde, I want to read you a quote from Light in August." Before he said another word, I said, "Memory believes before knowledge remembers."
A landmark in American fiction, Light in August explores Faulkner's central theme: the nature of evil. Joe Christmas - a man doomed, deracinated and alone - wanders the Deep South in search of an identity, and a place in society. After killing his perverted God-fearing lover, it becomes inevitable that he is pursued by a lynch-hungry mob. Yet after the sacrifice, there is new life, a determined ray of light in Faulkner's complex and tragic world.
I love this book because it contains one of my favorite stories of all time, "Sugar Among the Chickens." This and other of Nordan's stories make me fall on the floor laughing and also help me find thoughts and emotions, below the surface of words, that make me cry.
I was once asked to blurb a Lewis Nordan book. My blurb was: "I wish I could write like Lewis Nordan. I'd rather read his stories than win money."
Introduction by Richard Howorth and foreword by the author. The incomparable Lewis Nordan's first two collections of short fiction--WELCOME TO THE ARROW-CATCHER FAIR and THE ALL-GIRL FOOTBALL TEAM--originally published in 1983 and 1986, have long been out of print in all editions. Collectors' items, these two books are now almost impossible for Nordan fans to find anywhere.To rectify that, Algonquin is delighted to announce a selection of fifteen of the best stories from the two books, newly arranged and introduced by fellow Mississippian, bookseller Richard Howorth, and with a foreword by the author. Critics have called Lewis Nordan's fiction "extraordinary"…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I love this book because it shows Southerners fighting against racial segregation for decades prior to the Civil Rights Movement of the 1960s. John Egerton wanted to show the civil rights movement in the south from 1932 to 1954.
He wanted to name all the people he could who participated. He thought the book would take two years to finish, but it took him six. His research pulls back a veil that covers fights against racism in the American South prior to the 1954 Supreme Court Brown Decision.
The compelling story of the earliest calls for desegregation and racial justice in the South. ""Make room on your library shelf . . . for John Egerton's magnificent Speak Now Against the Day . His book is a stunning achievement: a sprawling, engrossing, deeply moving account of those Southerners, black and white, who raised their voices to challenge the South's racial mores. . . . [This] is an eloquent and passionate book, and . . . one we cannot afford to forget.""--Charles B. Dew, New York Times Book Review ""A rich and inspiring story. . . . [Egerton] has uncovered…
First, a little story: Billy Graham visits a nursing home lobby. After a 20-minute conversation with a woman in a wheelchair, he leans forward and asks, "Do you know who I am?" The woman points over her shoulder and says, "No, but there's a nurse at the end of the hall that can tell you who you are."
And then, a true story: My Aunt Lila (my favorite aunt) had been in a nursing home for three years, and I'd been her main caretaker. When she died, I knew I had to write a novel about a fictional nephew (Carl Turnage) and a fictional aunt (Lil Olive). I knew the humor in the novel would have to balance the confusion, longing, and tragedies we find in homes for the elderly.
